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This year's theme Reimagining Africa takes us on a virtual odyssey around the continent, from Cape to Cairo and Kampala to Tangiers, and we look at how composers construct their African identities both from within and without. In the course of 13 concerts some 40 composers and improvisers, mostly African but with a representation from Europe and North America are featured. Eight world premières, including four new bow pieces, as well as a large number of South African premières, will be given.
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The New Music Indaba wishes to thank the following organizations for their kind assistance:
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We welcome one of Africa's most distinguished composers as this year's composer-in-residence, the Ugandan Justinian Tamusuza. Born in 1951, he studied at Makerere University in Kampala (where he is currently professor of music), at Queen's University Belfast (where he studied with Kevin Volans) and Northwestern University USA (where he obtained his doctorate). He came to international prominence with his string quartet Mu Kkubo Ery' Omusaalaba (On the Way of the Cross) commissioned by the Kronos String Quartet and recorded on their hit album Pieces of Africa in 1992. His work is largely based on Kiganda traditional music which he learnt to play as a child.
Two major works will be performed at the New Music Indaba: the first complete performance ever of his 1988 string quartet Mu Kkubo Ery' Omusaalaba, given by the Sontonga Quartet, and the world première of a New Music Indaba commission for the piano duo Jill Richards and Michael Blake.
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Parallel 7-day workshops led by our Indaba 2005 composers/ensemble-in-residence — Justinian Tamusuza, Dawn Padmore, Darryl Hollister & Luc Houtkamp/POW — allow two groups of young composers and improvisers the rare opportunity in South Africa to work in a creative and concentrated environment with our international faculty. Work created during the course will be presented in a public concert on the last day (see Growing Composers Premiéres, 6 July). Composers and improvisers/djs/dancers/computer programmers/live electronics artists wishing to take part can contact NewMusicSA on or Gcisa Mdlulwa on 011 717 1760 or 083 961 3306.Bursaries are available for participants in financial need.
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This important anniversary will be marked by a set of 13 variations on a very popular theme, Sontonga's best-known work Nkosi.Sikelel' iAfrika. The ANC song for many decades, now the national anthem, it will be presented in different guises throughout the Indaba, one per concert.
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Full notes on performers, composers, and works will be available at Indaba events.
Programmes and artists subject to change.
Legend:
Programme navigation:
Friday 1 July 18h00 | Beethoven Room | 40 mins
Indaba composer-in-residence Justinian Tamusuza, Uganda's leading composer whose work came to worldwide attention on the Kronos Quartet album Pieces of Africa talks to journalist Brett Pyper prior to the world première of his new duo for prepared pianos.
Friday 1 July 19h00 | Beethoven Room | 1 hr 30 mins (15 min interval)
Jill Richards and Michael Blake pianos
Matteo Fargion (Italy/South Africa)
Double Dickie
***
NMI Commission
Klaus Hinrich Stahmer (Germany)
People out of Nowhere
**
Paul Bowles (USA/Morocco)
Night Waltz
Justinian Tamusuza (Uganda)
Ennasula y'Obudongo (The Snapping of the Mbira)
***
NMI Commission
Colin McPhee (Canada)
Balinese Ceremonial Music
Conlon Nancarrow (USA/Mexico)
Sonatina
After their sell-out two piano concert on the first Indaba, piano partners Jill Richards and Michael Blake make a welcome return to Grahamstown. At the centre of their recital are two world premières: a work for the rarely-used prepared piano by Indaba composer-in-residence Justinian Tamusuza, which pays tribute to the mbira players of Africa, and a commission by the London-based South African Matteo Fargion, based on the music of Neville Dickie, a lesser-known boogie-woogie pianist from Newcastle, England.
Saturday 2 July 14h00 | St Peter's Lawns | 1 hr
Sazi Dlamini mouthbows percussion, vocals
Corinne Cooper sound projection
Jürgen Bräuninger/Sazi Dlamini (South Africa)
Yinkosi Yeziziba
Cobi van Tonder (South Africa)
Ephemeral
Other works to be confirmed
Relax on the idyllic St Peter's Lawns and enjoy a spectacular survey of electronic music from North, South and Central Africa with live performance by Sazi Dlamini.
Saturday 2 July 18h00 | Beethoven Room | 40 mins
Himself a frequent visitor to this country, Luc Houtkamp converses with journalist Brett Pyper, prior to the first appearance in South Africa of his new computer music ensemble POW.
Saturday 2 July 19h00 | Beethoven Room | 1 hr 30 mins (15 min interval)
POW Ensemble:
Luc Houtkamp computer, saxophone
Han Buhrs voice, electronics
Marije Nie tap dance
DJ Donotask turntables, electronics
Guy Harries computer, voice
Paul Jeukendrup sound design
The programme will be introduced by the members of POW.
The Dutch have long been at the forefront of the new music scene and the POW Ensemble is a spectacular confirmation of this. Led by mercurial saxophonist Luc Houtkamp, just fresh from winning the most prestigious jazz award in The Netherlands, POW includes members who have worked with rappers and Frank Zappa. But the stars of their show, used as interactive composing-performing media, are, perhaps, computers! Add a tap dancer and DJ/turntablist to the mix, and just imagine the sound possibilities?
Saturday 2 July 21h30 | Beethoven Room
James Webb
Site Engaged: A fictional re-mapping of Grahamstown
James Webb straddles the realms of contemporary art and new music, exhibiting and performing in a variety of media both locally and abroad.
For the 2005 New Music Indaba, Webb will spend the 24-hours leading up to his performance painstakingly sampling the incidental sounds of Grahamstown to use them in his show. Part abstract ghost story, part live sound sculpture, the work will explore the hidden soundscapes and sonic energies of the site using found sounds collected through contact microphones, samplers and radio receivers.
Referred to as a "pioneer of Sound Art in South Africa" by Artthrob, the country's leading art publication, Webb was recently in residence at the Centre for Contemporary Art, Kitakyushu and will be performing at UNYAZI in September 2005.
Sunday 3 July 14h00 | St Peter's Lawns | 1 hr
Sazi Dlamini mouthbows percussion, vocals
Corinne Cooper sound projection
Jürgen Bräuninger/Sazi Dlamini (South Africa)
Yinkosi Yeziziba
Cobi van Tonder (South Africa)
Ephemeral
Other works to be confirmed
Relax on the idyllic St Peter's Lawns and enjoy a spectacular survey of electronic music from North, South and Central Africa with live performance by Sazi Dlamini.
Sunday 3 July 16h00 | Beethoven Room | 1 hr 30 mins
The members of Benguela talk about and demonstrate their approach to improvisation. This is a good introduction to their Indaba programme later tonight.
Sunday 3 July 19h00 | Beethoven Room | 1 hr 30 mins (15 min interval)
Dawn Padmore soprano
Darryl Hollister piano (+ = piano solo)
J H Kwabena Nketia (Ghana)
African Pianism
**
+
J H Kwabena Nketia
Sandukwom
**
Joshua Uzoigwe (Nigeria)
Talking Drums
**
+
Akin Euba (Nigeria)
Six Yoruba Songs
**
Robert Kwami (Ghana)
Piano Piece No 6
Robert Kwami
January Dance
+
Akin Euba
Contemplating Life
**
Akin Euba
Noliwe's Aria (from Chaka)
**
Gyimah Labi (Ghana)
Dialect No 1: The Hunter's Song
**
+
Joshua Uzoigwe
Four Igbo Songs
**
Liberian-born, American soprano, Dawn Padmore is as at home on the opera stage (Mozart to Puccini) as she is singing jazz standards. For her second appearance in South Africa she is joined onstage by American pianist Darryl Hollister. Renowned as advocates of African and black American art music, their Indaba programme is a rare opportunity to hear art music from West Africa.
Sunday 3 July 21h30 | Beethoven Room | 1 hr 15 mins
Brydon Bolton electric upright bass
Alex Bozas guitar
Ross Campbell drums
Andrew Parker projections
From the heart of South Africa's fringe electronica scene in Cape Town comes Benguela: the country's only true improvising group - they don't rehearse, every performance is put together in the moment. The threesome, who have been described as an ambient, jazzy, post-rock outfit, promise to make their Indaba debut as mesmerizing as their latest CD, Sui.
Monday 4 July 14h00 | Beethoven Room | 1 hr 30 mins
Dawn Padmore gives valuable advice to composers about writing for the voice and demonstrates with excerpts from her unique repertoire, including her West African programme last night, assisted by Darryl Hollister.
Monday 4 July 18h00 | Beethoven Room | 2 hrs 45 mins (20 min interval) - Note starting time!
Jill Richards piano
Part 1: 18h00
Michael Blake (South Africa)
Their Souls go Waltzing on
**
Michael Blake
Ways to Put in the Salt
Bunita Marcus (USA)
Julia
Kevin Volans (South Africa)
Happiness is a Warm Gun
Kevin Volans
Etudes 4, 5, 6 & 7
Part 2: 19h00
Morton Feldman (USA)
Triadic Memories
**
Continuing her exploration of two South African composers with whom she has become closely associated, Jill Richards brings to Grahamstown the next group of Volans Etudes composed especially for her, and works from her recently-recorded CD of Blake's complete piano output to date. As part of the Indaba's ongoing presentation of Feldman's piano music, she also includes the monumental 90-minute Triadic Memories, and, as a foil, two of the reimaginings of Beatles songs from the project by pianist Aki Takahashi.
Monday 4 July 21h30 | 1 hr
POW Ensemble:
Luc Houtkamp computer, saxophone
Han Buhrs voice, electronics
Marije Nie tap dance
DJ Donotask turntables, electronics
Guy Harries computer, voice
Paul Jeukendrup sound design
The programme will be introduced by the members of POW.
The Dutch have long been at the forefront of the new music scene and the POW Ensemble is a spectacular confirmation of this. Led by mercurial saxophonist Luc Houtkamp, just fresh from winning the most prestigious jazz award in The Netherlands, POW includes members who have worked with rappers and Frank Zappa. But the stars of their show, used as interactive composing-performing media, are, perhaps, computers! Add a tap dancer and DJ/turntablist to the mix, and just imagine the sound possibilities?
Tuesday 5 July 14h00 | Beethoven Room | 1 hr 30 mins
Jill Richards gives tips to composers about writing for the piano and piano duo and demonstrates with selected pieces from her repertoire.
Tuesday 5 July 16h00 | Beethoven Room | 1 hr 30 mins
Derek Gripper gives advice to composers about writing idiomatically for the guitar and demonstrates with excerpts from his repertoire including his own work. This is also an intrdoduction to his Indaba programme later tonight.
Tuesday 5 July 19h00
Madosini
Uthando Luphelile
Yitileni
Wenu Usegoli
Nontwayiyo
Nomatshawe
The legendary uhadi bow singer - star of NewMusicSA's Bow Project - performs a concert of original material, with spoken introductions by Madosini and live translations by Gcisa Mdlulwa.
Eastern Cape born and Cape Town based, Madosini has been described as a "national treasure" and she is indeed the greatest living exponent of uhadi bow songs. She has made several tours to Europe and released a CD on the MELT label. This is her only solo performance in South Africa this year. On 6 July she performs with the Sontonga Quartet in the Bow Project — the Final Phase.
Tuesday 5 July 21h30 | Beethoven Room | 1 hr 15 mins
Derek Gripper guitar
Sergio Assad (Brazil)
Aquarelle
Derek Gripper (South Africa)
Blomdoorns
Robert Fokkens (South Africa)
New Work
***
Leo Brouwer (Cuba)
Hika, Hommage à Toru Takemitsu
Michael Blake (South Africa)
Three Venda Children's Songs
**
Alex van Heerden & Derek Gripper (South Africa)
New Works
***
Astor Piazzolla (Argentina)
Autumn
For his programme Derek Gripper went in search of pieces with two aims in mind: compositions which reflect (on) South African internationalism and works by South African composers with South African influences in an international context. As well as new work by himself and works composed in collaboration with Alex van Heerden - remember their fantastic Spore by die bek van 'n ystervarkgat premiered at last year's Indaba! - he will play a selection of the best works for classical guitar by contemporary South Africans, with a generous sprinkling of South Americans.
Wednesday 6 July 17h00 | Beethoven Room | 1 hr
POW Ensemble
Dawn Padmore soprano
Darryl Hollister piano
A programme of new work that has been created during the previous seven days by participants in the workshops led by Luc Houtkamp, Justinian Tamusuza, Dawn Padmore & Darryl Hollister.
Wednesday 6 July 21h30 | Beethoven Room | 1 hr 30 mins (15 min interval)
Madosini voice, uhadi, isitolotolo, umrhubhe
Sazi Dlamini voice, ughubu, percussion, S4
Sontonga Quartet:
Marc Uys first violin
Waldo Alexander second violin
Xandi van Dijk viola
Brian Choveux cello
Corinne Cooper sound projection
Leslie Nkuna (South Africa)
Forgotten Fantasies
**
Robert Fokkens (South Africa)
New Work for the Bow Project
***
NMI Commission
Jürgen Bräuninger/Sazi Dlamini (South Africa)
New Work for the Bow Project
***
NMI Commission
Hamza El Din (Sudan)
Grandfather's Stories
**
Carlo Mombelli (South Africa)
New Work for the Bow Project
***
Derek Gripper/Alex van Heerden (South Africa)
New Work for the Bow Project
***
NMI Commission
Justinian Tamusuza
Twadaagana Ku Lw' Omwana (We Sought for the Child)
**
The Bow Project has been hailed as one of the most successful aesthetic initiatives to have emerged in post-apartheid South Africa. A celebration of Xhosa bow music and its reimaginings, the project now enters its final phase with another handful of new commissions. In the spirit of the theme of Indaba 05, string quartets by African composers from Cape to Cairo round out the programme.
Wednesday 6 July 21h30 | Beethoven Room | 1 hr
Jill Richards piano, voice
Michael Blake piano, voice, metronome
Guest Artists instruments, voices, sounds
Mauricio Kagel (Argentina/Germany)
MM51 (Ein Stück Filmmusik für Klavier)
**
Markus Trunk (Germany/UK)
slightly ajar
**
Frederik Rzewski (USA)
De Profundis
**
We brought you John Cage's controversial Europera 5 and, last year, Tom Johnson's Four Note Opera which had audiences in stitches. Now, the premier platform for experimental music theatre in the country presents three South African firsts: instrumental theatre by established immigrants to Europe Kagel (from Argentina) and Rzewski (from USA) frame a conceptual composition by a young German living in London, Markus Trunk. His slightly ajar for any number of doors, sound and light sources provides the perfect foil for Kagel's hilarious take on the silent film pianist and Rzewski's powerful reading of Oscar Wilde's prison letters.