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NewMusicSA is greatly pleased to present the Unyazi Electronic Music Symposium and Festival 2005, Africa's very first electronic music festival and conference. The groundbreaking four-day event aims to promote a valuable dialogue concerning "electroacoustic music in the southern hemisphere", between composers, performers, and musicologists from South Africa and the rest of the world.
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The Unyazi 2005 festival was made possible by funding provided by the following generous sponsors:
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The organisers thank the following collaborators for their kind assistance:
And the organisers are indebted to the institutions that provided composers' works for the Listening Room:
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It may be hard to imagine, but electronic music is at least 100 years old! It is particularly well established in Europe, North and South America, Asia and Australia.
Africa is generally not considered to have produced electronic music pioneers, however: an Egyptian composer, Halim El-Dabh, actually created one of the first electronic works ever in 1944. His earliest compositions predate the French musique concrète school by several years.
It is time to celebrate electronic music in Africa, and South Africa can play a leading role in doing so. South African society has a rich, multicultural heritage, and we can therefore strive to create electronic music that is uniquely African.
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Halim El-Dabh, one of the pioneers of electronic music internationally, and the father of electronic music in Africa, will be attending the Unyazi festival in 2005. He will perform his works live, and will also be actively involved in the paper sessions, workshops and in creating an awareness of electronic and electroacoustic music amongst young composers.
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Electronic music and some of it's main categories are described in Wikipedia's:
The history of electronic music is described in Obsolete's 120 Years Of Electronic Music
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The conference will facilitate the exchange of ideas between overseas and local composers, performers, and musicologists, on matters concerning electroacoustic music in the southern hemisphere. The proceedings will be published with the assistance of IPEM (Belgium).
The festival will measure the need of, and create an awareness of, the economic and practical importance of the computer and the role that it does and can play in music creation, performance, and education.
The workshops will focus on the practical application of electronics in music. South African musicians will have the opportunity to work with their international counterparts.
NewMusicSA is working with the following people on a programme to educate formerly disadvantaged children and young musicians:
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The symposium and festival features an incredible number and variety of composers and performers from across the world, including:
In addition, the Listening Room features selected works for tape by the following composers:
The Viewing Room features selected music-related films by the South African film-maker:
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The Unyazi 2005 audience will have an exciting and rare opportunity to buy choice electroacoustic music on compact disc, as recordings by most of the visiting composers will be for sale at the festival.
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Festival performances encompass these electronic music categories:
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A group of nominated, scholarship students from the University Of Ado Ekiti, Ekiti State, Nigeria, who are writing a research project work on Music And The Modern Technology will attend the festival and participate in the conferences:
Students from the University Of Lagos, Lagos State, Nigeria, who are writing a research project work on Advancement Of Music In Africa - Past, Today And Tomorrow, will attend and participate in the conferences:
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The Wits Theatre info
Secure covered parking will be available at Senate House (entrance on Jorrisen Street), and secure uncovered parking at The Wedge (Yale Road, corner of Jorrisen street).
Accommodation for visiting composers (only) is available at Highfield Clusters, Reith Hall. A relevant accommodation information brochure is available (to download this PDF, right-click the link and choose Save Target As).
For any further information you may require please contact the Festival Director Dimitri Voudouris at .

(Click on the above map of the venue to open a larger version of it.)
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Aryan Kaganof's film Unyazi of the Bushveld, an artistic interpretation of the festival, is now available online, at:
http://kaganof.com/kagablog/2007/06/01/unyazi-of-the-bushveld-2/
South Africa - 2007
Direction: Aryan Kaganof
Camera: Thembeka Laduma
Editing: C. R. Mandala
Sound design: Joel Assaizky
Sound recordist: JA Assagai
Music: Zim Ngqawana, Luc Houtkamp, Lucas Ligeti, Matthew Ostrowski etc
Cast: George Lewis, Pauline Oliveros, Halim El-Dabh, Francisco Lopez etc
Format: Video
Time: 45 min.
Original Version: Inglese
Production: African Noise Foundation
Sales:
The Electronic Music Symposium and the Unyazi Festival of 2005 observed through the visionary and techno eye of Aryan Kaganof (SMS Sugar Man). Vibrations and hypnotism collude to create sound and visual empathies in theatres or in the street, on a pavement. One more chapter in the exploration of African culture by the South African multimedia artist, in the inextricable relationship between memory and the present, traditional instruments and computer-generated sounds. The film has been described as "an important document of an historic occasion" by Dr. Michael Blake and "a very interesting record of a rather odd event" by Professor Christine Lucia. UNYAZI OF THE BUSHVELD is the first production of the AFRICAN NOISE FOUNDATION featuring the seamless sound design of Joel Assaizky (Hard Copy, Bunny Chow).
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See Prof Christo Doherty's superb photographs of the Unyazi 2005 festival at http://www.atjoburg.net/?p=69.
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For ticket prices and booking visit Computicket. Tickets will also be available from the Wits Theatre ticket office before the start of performances. All workshops and paper sessions are open to the public and free of charge.
A printed programme with detailed notes on performers, composers, works, paper sessions and workshops will be available at Unyazi festival venues. The detailed programme is also available to download: Unyazi 2005 Detailed Programme PDF (464KB).
Programmes and artists subject to change.
Legend:
Programme navigation:
Thursday 1 September 09h00 | Seminar Room | 30 mins
Thursday 1 September
10h00 | Substation | ALL DAY
Luc Houtkamp & POW
Development workshop
10h00 | Shakespeare Room | ALL DAY
Blake Tyson
Percussion workshop
Thursday 1 September 10h00 | The Convent, Digital Arts | ALL DAY
Toni Olivier
Thursday 1 September | Seminar Room
10h00 | 30 mins
Pauline Oliveros
Pauline Oliveros in the Arms of Reynols: A collaboration
10h30 | 30 mins
Rodrigo Sigal
The borders of identity, a personal perspective
11h00 | 30 mins
Matthew Ostrowski
The anxiety of the client: the network as compositional tool
11h30 | 60 mins
Halim El-Dabh
"Unyazi" Born Within: The Advanced Sonic Sensitivity of the African Village
Thursday 1 September
16h00 | Downstairs Theatre | 30 mins
James Webb
Tokyo Gothic ***
16h35 | Main Theatre | 18 mins
Stepán Rak
Tracy **
17h00 | The Amphitheatre | 30 mins
Maxime Rioux
Unyazi ***
17h35 | Downstairs Theatre | 30 mins
Carlo Mombeli & João Orecchia
Live improvisation
Thursday 1 September 19h00 | Digital Arts, The Convent | 70 mins
Ake Hodell
Mr Smith In Rhodesia **
Eduardo Reck Miranda
Robotapithecos **
Dimitri Voudouris
NPFAI. 3 **
Mark Applebaum
Narcissus ReMix **
Snagglepuss ReMix **
Plundergraphic **
Paul Dolden
Below The Walls Of Jericho **
Thursday 1 September
20h30 | Main Theatre | 35 minutes
Matthew Ostrowski
Insomnia
21h10 | Downstairs Theatre | 25 minutes
Brendon Bussy
Tick
CMYK
21h40 | Main Theatre | 30 mins
Yannis Kyriakides
Wordless **
22h35 | Downstairs Theatre | 15 minutes
Warrick Sony
The Continental Drift
Friday 2 September 09h00 | The Convent, Digital Arts | ALL DAY
Toni Olivier
Friday 2 September 09h00 | Substation | ALL DAY
Luc Houtkamp & POW
Development workshop
Friday 2 September | Seminar Room
09h00 | 30 mins
Lukas Ligeti
Burkina Electric
09h30 | 30 mins
Maxime Rioux
Can music be at the same time nomadic and sedentary?
10h00 | 30 mins
Theo Herbst
Music technology at Stellenbosch University
10h30 | 60 mins
Christo Doherty
Discussion panel concerning models for teaching electronic music/sonic arts in a tertiary educational environment
Friday 2 September 13h30 | The Amphitheatre | 120 mins
Pauline Oliveros
The Expanded Instrument System - EIS
Friday 2 September
16h00 | Main Theatre | 45 minutes
Rodrigo Sigal
Oreja Digital (Digital Ear) **
17h00 | Downstairs Theatre | 35 minutes
Sandra Ndebele
Scream And Shake Your Waist
17h45 | Main Theatre | 50 mins
Chris Wood
Seeing Is Not As Simple As It Looks ***
18h45 | Downstairs Theatre | 28 minutes
Jürgen Bräuninger & Sazi Dlamini
Yinkosi Yeziziba
Ulrich Süsse & Jürgen Bräuninger
… anywhere far
Friday 2 September 20h00 | Digital Arts, The Convent | 63 minutes
Aryan Kaganof
Come To The Point
Reich Dance Redemption
Techno: Space And Flow In The Radical Frame
Friday 2 September
21h30 | Main Theatre | 48 minutes
Halim El-Dabh
Wire Recorder Piece/Ta'abir al-Zaar **
Electronic Fanfare **
Signals/Connections **
Michael And The Dragon
Cowry Shells In The Sand
Elements, Being, And Primeval **
Leiyla And The Poet: Electronic Drama No.1 **
23h00 | Downstairs Theatre | 30 mins
Zim Ngqwana
Live interactive improvisation
Saturday 3 September 09h00 | The Convent, Digital Arts | ALL DAY
Toni Olivier
Saturday 3 September
09h00 | Substation | ALL DAY
Luc Houtkamp & POW
Development workshop
11h00 | The Amphitheatre | 60 mins
Brendon Bussy
Audiomulch (software)
13h00 | Digital Arts, The Convent | 60 mins
The SoundHouse
A project presented by Dimitri Voudouris is discussed by the panel
Saturday 3 September
16h00 | Downstairs Theatre | 38 minutes
Theo Herbst & The Kemus Ensemble
Cassini-Huygens
Colours
17h00 | Main Theatre | 45 minutes
Pauline Oliveros
Sounding In The Sonosphere
18h00 | Downstairs Theatre | 30 mins
Pops Mohamed
The Journey
19h00 | Main Theatre | 42 minutes
Dimitri Voudouris
L22P08M02 (2002-2005)
Saturday 3 September 20h30 | Digital Arts, The Convent | 60 mins
Daniel Judkovski
The Infinite Exile
Alejandro Iglesias-Rossi
Angelus
Alicia Terzian
Buenos Aires You Are Killing Me
Mariano A. Fernández
Refugio Y Temblor
Julieta Szewach
Clamor, Silencio E Infinito (Clamour, Silence And Infinity)
Saturday 3 September
22h00 | Main Theatre | 50 mins
Francisco López
Untitled
23h00 | Downstairs Theatre | 45 minutes
Schnee
Johannesburg 1 **
Sunday 4 September 09h00 | The Convent, Digital Arts | ALL DAY
Toni Olivier
Sunday 4 September
09h00 | Substation | ALL DAY
Luc Houtkamp & POW
Development workshop
10h30 | The Amphitheatre | 90 mins
Francisco López
The socialization of sound creation technology and the real world as an instrument (talk/discussion)
Sunday 4 September 14h00 | Digital Arts, The Convent | 90 mins
Aryan Kaganof
Two Heads Are Better Than One ***
Time Considered As A Helix Of Semi-Precious Stones
Signal To Noise
Merzbow Beyond Snuff
Virgins Live
Sunday 4 September
16h00 | Main Theatre | 45 minutes
My Kingdom For A Lullaby
Johannesburg 2
17h00 | Downstairs Theatre | 40 mins
Lukas Ligeti
Live improvisation
Sunday 4 September 18h00 | Digital Arts, The Convent | 80 mins
Georg Katzer
Aide Memoire - Seven Nightmares From The 1000 Year Night **
Gyrid Nordal Kaldestad
Fragmentedvoice **
Natasha Barrett
Prince Prospero's Party **
Bjarne Kvinnsland
Fish To Be Danced By **
Anders Vinjar
Ups-Downs-Ins-Outs Vs. Popeyes **
Darius Weinberg
Crossway (2005) ***
Sunday 4 September
20h00 | Main Theatre | 25 minutes
George Lewis & Louis Moholo
At Home In The World (2005) ***
20h45 | Downstairs Theatre | 30 mins
Skid
Lubombo
Improv 1
Furry Animals
Improv 2
The A-Team
21h30 | Main Theatre | 45 minutes
Luc Houtkamp & POW
Live improvisation ***
22h30 | Downstairs Theatre | 50 mins
James Webb & James Sey
The Utopia Travelogues ***